Brown, S. and Jordania, J. (Submitted). Towards a universal musicology.

Pfordresher, P. Q. and Brown, S. (Submitted). Linguistic background influences the production and perception of musical pitch.

Brown, S., Laird, A. R., Pfordresher, P. Q., Thelen, S. M., Turkeltaub, P. and Liotti, M. (Submitted). The somatotopy of speech: Phonation and articulation in the human motor cortex.

Brown, S. and Dissanayake, E. (In press). The arts are more than aesthetics: Neuroaesthetics as narrow aesthetics. In M. Skov and O. Vartanian (Eds.) Neuroaesthetics.

Brown, S. and Parsons, L. M. (2008). The neuroscience of dance. Scientific American 299: 32-37. Web version of article.

Brown, S. (2008). Music of language or language of music? Review of Patel's "Music, Language, and the Brain". Trends in Cognitive Sciences 12: 246-247.

Brown, S., Ngan, E., and Liotti, M. (2008). A larynx area in the human motor cortex. Cerebral Cortex 18: 837-845.

Götell, E., Brown, S., and Ekman, S.-L. (2008). The influence of caregiver singing and background music on vocally expressed emotions and moods in dementia care: A qualitative analysis. International Journal of Nursing Studies.

Pfordresher, P. Q. and Brown, S. (2007). Poor-pitch singing in the absence of "tone deafness". Music Perception 25: 95-115.

Brown, S. (2007). Contagious heterophony: A new theory about the origins of music. Musicae Scientiae 11: 3-26.

Brown, S. and Martinez, M. J. (2007). Activation of premotor vocal areas during musical discrimination. Brain and Cognition 63: 59-69.

Brown, S. (2006). Bringing science to art. Review of Zaidel's Neuropsychology of Art: Neurological, Cognitive and Evolutionary Perspectives. Trends in Cognitive Sciences. 10: 356-357.

Brown, S. (2006). The perpetual music track: The phenomenon of constant musical imagery. Journal of Consciousness Studies 13: 25-44.

Brown, S., Martinez, M. J., and Parsons, L. M. (2006). Music and language side by side in the brain: A PET study of the generation of melodies and sentences. European Journal of Neuroscience 23: 2791-2803.

Brown, S., Martinez, M. J., and Parsons, L. M. (2006). The neural basis of human dance. Cerebral Cortex 16: 1157-1167.

Brown, S. and Volgsten, U. (Eds.) (2006). Music and Manipulation: On the Social Uses and Social Control of Music. New York: Berghahn Books.

Brown, S. (2006). "How does music work?" Towards a pragmatics of musical communication. In S. Brown and U. Volgsten (Eds.) Music and Manipulation: On the Social Uses and Social Control of Music (pp. 1-27). New York: Berghahn Books.

Brown, S. and Theorell, T. (2006). The social uses of background music for personal enhancement. In S. Brown and U. Volgsten (Eds.) Music and Manipulation: On the Social Uses and Social Control of Music (pp. 126-160). New York: Berghahn Books.

Brown, S. and Volgsten, U. (2006). Is Mozart's music good? In S. Brown and U. Volgsten (Eds.) Music and Manipulation: On the Social Uses and Social Control of Music (pp. 365-369). New York: Berghahn Books.

Brown, S., Ingham, R. J., Ingham, J. C., Laird, A., and Fox, P.T. (2005). Stuttered and fluent speech production: An ALE meta-analysis of functional neuroimaging studies. Human Brain Mapping 25: 105-117.

Brown, S., Martinez, M. J., Hodges, D. A., Fox, P. T. and Parsons, L. M. (2004). The song system of the human brain. Cognitive Brain Research 20: 363-375.

Brown, S., Martinez, M. J. and Parsons, L. M. (2004). Passive music listening spontaneously engages limbic and paralimbic systems. NeuroReport 15: 2033-2037.

Brown, S. (2003). Biomusicology, and three biological paradoxes about music. Bulletin of Psychology and the Arts 4: 15-17.

Götell, E., Brown, S., and Ekman, S.-L. (2003). The influence of caregiver singing and background music on posture, movement and sensory awareness in dementia care. International Psychogeriatrics 15: 411-430.

Tandon, N., Narayana, S., Lancaster, J. L., Brown, S., Dodd, S., Vollmer, D. G., Ingham, R., Ingham, J., Liotti, M., and Fox, P. T. (2003). Role of the lateral premotor cortex in articulation. Clinical Neurosurgery 50: 341-349.

Götell, E., Brown, S., and Ekman, S.-L. (2002). Caregiver singing and background music in dementia care. Western Journal of Nursing Research 24: 195-216.

Brown, S., Götell, E., and Ekman, S.-L. (2001). 'Music-therapeutic caregiving': The necessity for active music-making in clinical care. The Arts in Psychotherapy 28: 125-135.

Brown, S., Götell, E., and Ekman, S.-L. (2001). Singing as a therapeutic intervention in dementia care. Journal of Dementia Care 9: 33-37.

Brown, S. (2001). Are music and language homologues? In R. Zatorre and I. Peretz (Eds.) The Biological Foundations of Music (pp. 372-374). New York: New York Academy of Sciences.

Götell, E., Brown, S., and Ekman, S.-L. (2000). Caregiver-assisted music events in psychogeriatric care: An ethnographic study. Journal of Psychiatric and Mental Health Nursing 7: 119-125.

Brown, S. and Volgsten, U. (2000). Controlling the music, controlling the listener. Music Forum 16: 23-25.

Wallin, N. L., Merker, B., and Brown, S. (Eds.) (2000). The Origins of Music. Cambridge, MA: MIT Press. (Released in paperback September, 2001).

Brown, S., Merker, B., and Wallin, N. (2000). An introduction to evolutionary musicology. In N. L. Wallin, B. Merker, and S. Brown (Eds.) The Origins of Music (pp. 3-24). Cambridge, MA: MIT Press.

Brown, S. (2000). The "musilanguage" model of music evolution. In N. L. Wallin, B. Merker, and S. Brown (Eds.) The Origins of Music (pp. 271-300). Cambridge, MA: MIT Press.      Also, check out this Wikipedia link to "musilanguage".

Brown, S. (2000). Evolutionary models of music: From sexual selection to group selection. In F. Tonneau and N. S. Thompson (Eds.) (pp. 231-281). Perspectives in Ethology. 13: Behavior, Evolution and Culture. New York: Plenum Publishers.